Marathon Viewing 2025's Christmas Films: The Good, The Bad and The So-Bad-It's-Good.
‘Tis the time of year to slob out on the couch and devour a packet of holiday pastries in front of a good movie, a awful feature, or one that’s awesomely awful.
Once again, a batch of new holiday movies aims to become part of our seasonal watchlist—perhaps even joining the ranks alongside beloved favorites like Home Alone, Elf, Love Actually, and Die Hard (no arguments).
Therefore, in a vital public service to sort the crackers from the turkeys, and to embrace the festive feeling, I marathoned as many new Christmas films as possible in a single day.
Early Morning: A Very Jonas Christmas Movie
Beginning, hopefully, on a high. This is the exclusive 2025 movie on a famous website's list of the greatest 100 holiday films of all time.
The Jonas Brothers are stranded in the UK after wrapping up their global concert series and must get home for Christmas. Their attempts are thwarted by an malevolent Father Christmas, who breaks into song to state they won’t get home until they “rekindle their familial spark.”
The back-and-forth between the arguing trio is amusing even for the uninitiated, while followers will no doubt pick up on lots of in-jokes as they endeavor to get back using any means of transport necessary.
It’s private planes, trains and automobiles.
It’s not an all-time classic, but is great for fans and a solid start to the day.
Festive score: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their loved ones who must sit through it.
Late Morning: Tinsel Town
A-list actor Kiefer Sutherland appears as a celebrity cast a pantomime.
“A what's a panto??” asks Sutherland’s “hard-to-work-with” and aging lead Brad Mack, who has fallen on hard times and whose manager has tricked him into thinking he’s starring in high-class London stage.
His Aladdin fellow actors tell him he’s playing Buttons. “Absolutely not,” he insists angrily. One can imagine their retort. Unless you’re unfamiliar with traditional British theatre traditions.
There are some very funny lines, some touching side stories, and the rest of the cast is cracking, too.
It’s the type of film that would be a bit tacky at any other time of year, but is a great entertainment at Christmas.
Festive score: 🎄🎄🎄🎄
10.19am - Christmas Karma
Danny Dyer appears at the start of this film, too, delivering a signature line for the second consecutive movie. Might this become a new Christmas tradition?
This time, he’s a singing black cab driver who picks up Mr Sood, the modern take on Mr Scrooge from Charles Dickens’ A Christmas Carol.
Mr Sood is played by a star of Kunal Nayyar and Christmas Karma is directed by Bend It Like Beckham’s Gurinder Chadha. The well-known tale progresses as the tight-fisted Mr Sood is haunted by the spirits of Christmas past, present and future, played by Hugh Bonneville, Billy Porter, and Boy George.
This South Asian reinterpretation is at least different from all the others, but sadly he’s not very captivating and Nayyar’s acting is lifeless—a significant issue when he’s so the focal point.
Holiday verdict: 🎄🎄
Lunchtime: Stuffed
Before lunch for a major broadcaster's Christmas comedy-drama—which stars Guz Khan as a endearingly grumpy man who “isn't big on Christmas.”
But after he is awarded an £8,000 Christmas bonus at work, his wife (played by Morgana Robinson) persuades him splurging the cash on a holiday to Lapland.
There’s just one issue—he finds out there was an mistake with his bonus, which should have been £800, and he has to devise a plan for how to return the excess.
Fun while it lasts but not lasting.
Christmas tree rating: 🎄🎄
Early Afternoon: Champagne Problems
This is one of those Christmas films where the tree, fairy lights and snow are in the backdrop—Christmas is the environment of the film rather than its main point—but it feels comfortable and seasonal all the same.
High-powered businesswoman Sydney (starring Minka Kelly) is sent to a French chateau to do a deal for a champagne business. En route, she runs into a man in a literary haven who promises to show her Christmas in Paris.
A commentator recently claimed this is the finest new Christmas film of the last several seasons. That’s a bit of a exaggeration, but it is a festive dalliance with a dash of elegance and gives the necessary warm and fuzzy feels.
The scene with a lengthy discussion about Die Hard is very good too.
Holiday verdict: 🎄🎄🎄
Mid-Afternoon: Finding Father Christmas
Young Chris, played by Lenny Rush, refuses to stop believing in Father Christmas, in spite of the persuasion of his dad (played by James Buckley) to tell him the truth.
The answer is to be discovered, and Chris ventures forth to find it with the expert help of a group of well-known figures.
It’s understated but endearing, and perfect viewing while anticipating Santa to visit.
Festive score: 🎄🎄🎄
Late Afternoon: Oh. What. Fun.
Michelle Pfeiffer is the head of a dysfunctional American family who gather for the holidays—including other Oscar nominee Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.
Pfeiffer starts by mentioning classic festive films like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before saying: “They need to make a movie about the real champions of the holidays—moms.”
So that’s the premise, but in reality it’s really a combination of those inspirations, at least until Pfeiffer’s character eventually finds her strength.
Festive score: 🎄🎄
Formulaic Fun
The day’s gone downhill, but happily here’s a new addition in the crowded field of formulaic, schmaltzy, badly acted—and highly entertaining—holiday fare.
It’s a story as well-worn: An American woman travels to a far-off wintery locale and ends up discovering romance.
In this case, Caprice Bourret plays a publisher